identity

The Essay I Should Have Written

UnknownA cold, miserable mist greeted me when I walked out into the evening after my last semester final. The kind of mist that doesn’t quite call for an umbrella and yet leaves you damp by the time you get where you are going no matter the distance traveled. It fit my mood perfectly and summed up the semester quite well: all wet.

It really bothers me that I have not performed well, especially in this anthropology course on identity, despite knowing that there have been some extenuating circumstances involved – work issues, home issues, health issues – and as only my closest of closest’s know, identity can be a challenging subject for me. But I also know that I made some poor choices in the past fifteen weeks. All came back to haunt me this afternoon.

Given the choice of two out of five or six questions, we were to write complete essays integrating the information we gleaned from the course and our supposed intellectual interpretation of said information. I say supposed because, at least in my instance, my intellect fled from my brain as soon as I began to read the questions.

The questions weren’t difficult, really just slight variations on things we had discussed in class. What was lacking was my ability to form a single cohesive unit of thought. We had two hours to give back any indication we understood the course work. It took me an hour and a half to write the first piece of drivel and the remaining half hour to slather my paper with the second piece of nonsense. I cried on the way home, whether in frustration, relief or shame I cannot say.

Bashert, bless her non-cooking soul, had made matzah ball soup while I was off torturing myself. It was a welcome balm to my aching ego, as was the time spent relaxing on the couch with her and Yoda just watching a mystery show together. It gave me space to breathe and mull over what had occurred during the final. It gave me a chance to get my thoughts in order and think about what I would have written had my brain been in working order.

One of the choices in the questions given was to state three things you have learned about your identity through this course. This is the essay that I should have written.

Identity is a nebulous thing. It tends to defy definition because there are so many ways to define it. When researching information about my term paper, I found that Toon van Meijl attempted to define identity as “a kind of nexus at which different constructions of self coincide, and sometimes also collide”. Identity is who you are, but also who you are taught to be and who you are ascribed to be. Identity is fluid and changeable, yet fixed and determined. That is what I have learned this semester.

In my parents’ home I am the third child and youngest daughter, sister to my siblings; immutable non-choices, determined by my parents’ genetics and timing. In my own home, I am Mom; I am now daughter and mother. Two of my identities have coincided and collided. I exist in the context of both constructs.

In my spousal relationship, I am wife and not-wife, to corrupt a phrase used by Serena Nanda in her article, “Men and Not-Men”. The hegemony in which I reside still does not fully accept the identity marker of wife for my partnership in life. Since I live in a domestic partnership and have the sex designation of female, it is customary to identify my role as “wife”, but in my domestic partnership, the other is not male. Here a different construction collides. Because of my sexuality, I am not wife, but I am not husband.

Along the same lines is my gender identity; gender, as we have been taught, being the cultural interpretation of physical appearance. Because of agreements to societal changes over the years in the Western cultural structure in which I reside, I am able to utilize my own agency and choose to not wear clothing typically interpreted for people who have a feminine gender. But because those societal changes did not necessarily encompass a change in the central meaning of the generalized concepts of what masculine and feminine connote in our society, my choice of attire and even hairstyle creates yet another identity when seen from another social worldview.

In my place of work, I occupy multiple spaces. I am employee, boss, trainer, acquaintance and friend. In school, I am student, but designated as other since I do not fit the cultural profile of the typical college student. In my religious sphere, I am Jewish to the outside faiths, but may not be considered as such by those Jews whose worldview is much more orthodox than mine.

At my own nexus of self, I am all of the above and more. I identify as artist, writer, political agnostic, curmudgeon and nice person. How I see myself may not be the way another will or can view me. If I have learned anything in the time spent through this course is that identity is a process, a state of being that is always fixed and always in flux, determined not only by the institution in which we reside, but also by the resistance and agency we as individuals choose to apply.

May I Help You, Sir?

Victoria: Your problem, Mr. Marchand, is that you’re preoccupied with stereotypes. I think it’s as simple as you’re one kind of man, I’m another.

King Marchand: And what kind are you?

Victoria: One that doesn’t have to prove it. To myself, or anyone.

   

I was “Sir’d” again this week. The oh, so polite drive through attendant at Arby’s ended each of his inquiries and statements with “Sir”.

“What type of drink, Sir?”, “You just want the sandwich, Sir?”, “Your total is $8, Sir.”, “Please drive around to the first window, Sir.”

I’ve given up trying to correct people.

As a kid, I was forever mistaken for a boy. My manner and dress bucked the norm of 1960‘s middle class suburbia. I was Scout on paved streets.

The teen years didn’t bring anything different. Although I had changed from a solid, square block to blocky hour glass the question still rose, “Are you a boy or a girl?”

One would think that true adulthood would bring some clearer distinctions, but no on that one too.

Once for Halloween, Bashert and I traded costuming. I wore one of her folksy skirts and tops, put on make-up and jewelry, while she dressed in slacks, a button down shirt, vest, tie and sported a hat. Her gear was beyond my usual attire. I was the one mistaken for a cross-dresser.

What confuses people about a short-haired, middle-aged, heavy-set, well-endowed woman, that they would make the jump to give me a not just a masculine identity, but a male identity? I tried to find some information on line, but to no avail yet. What is the data? What markers or culturally induced suppositions are at work? Is there something innate about these assumptions/presumptions?

You tell me. I have yet to figure it out. All I know is I received a “Thank you, MA’AM” and a 10% discount when I got to the window.

Secret Self

Matt Singer Secret Id Kit

Last night, while avoiding homework by watching t.v. with the family, I stumbled into an episode of William Shatner’s interview show, Raw Nerve. It came on right after a 16 year old tribute to the Star Trek franchise. Odd juxtaposition.

The show had been taped in 2009 and his guest on the show was his long time co-actor and friend Leonard Nimoy.  Mr. Nimoy was discussing one of his first ‘ordinary people’ shoots, “Secret Selves”.

The project began in 2008 when Mr. Nimoy invited some of the denizens of Northampton, Massachusetts, where he shows his work in the R Michelson Galleries, to be photographed as “who you think you are”.  He wanted to create portraits of people’s inner alternate identities.

All the participants of the shoot were video taped being interviewed and photographed by Mr. Nimoy.  You can watch some of them at this site: <http://www.rmichelson.com/Artist_Pages/nimoy/Secret-Selves/>.

The premise got me thinking and imagining who or what I might want revealed as my secret self.

I drew a blank.

Presently my days are spent as partner, mom, student, friend, corporate supervisor, sometime fine artist, survivor.  In previous incarnations I was a stay-at-home mom, bookkeeper, library technician, graphic artist, cake decorator, crazy person, victim.

Still drawing a blank.

I have an ex-sister-in-law, who was once married to the AH’s brother, Bucket.  She’s a bit of a changeling, a chameleon.

When I knew her back in the dark ages, she was the “perfect”, church going, small town, country wife and mother.   She had a great sense of humor and an understated intellect that was much deeper than any of the AH’s family could ever appreciate.

We lost track of each other after my expulsion from the Hatfield’s wagon circle.  The ubiquitous FaceBook allowed us to reconnect.  Turns out, she, too left the oh, so warm environs of the opprobrious Hatfield’s.

The sense of humor is the same but, the Chameleon has changed.  Aside from an ever evolving hairstyle, Chameleon has reinvented herself or rather become, who she was supposed to be – a writer, a photographer, actor, explorer of life and genuinely happy person.

Beautiful changing colours

What has this to do with my inner alter ego?  I found myself a tad bit jealous that Chameleon had the courage to find, and work toward, being her secret self, while I can’t even pull up an idea of whom I would choose to be for a photo session.

I guess I can placate myself by thinking that she has another inner self to yet reveal – exotic dancer perhaps? 🙂

Still drawing a blank.

Splat is a friend I’ve know for over 30 years.  He’s a special effects make-up artist. Really, he is – for the movies and television (The Patriot, Zombieland, & soon to be released The Three Stooges, among many others).  I remember him back in high school, experimenting with self-made, latex masks and pulling his eyebrows out by accident (always lubricate them first before applying casting materials).

Splat

He’s improved since then.

Splat has been living his dream.  I admire him greatly for sticking to it.  He’s told me that sometimes its hard, but oh, so worth it all.  He gets to live out alter egos quite a bit, maybe not quite his true secret self, but characters that he creates. That makes me smile.

Maybe a glimmer here.

I have yet another friend LC, who once had a lucrative career as a director of a lab.  She felt unappreciated and undervalued in that position and chose to leave it for what seemed a more self fulfilling adventure.

It was not to be.

But through a series of sometime severe growing pains, LC found herself as a teacher.  She nows enlightens college students to higher learning and understanding of the human psyche.  She’s found a different self to be and seems to be happier for it.

I do think she would rather be a globe-trotting, secret agent though, but that’s just my humble opinion.

It’s becoming clearer to me now.

As I think about my friends and Mr. Nimoy’s subjects, I have begun to realize I’m thinking too hard.

One’s inner or secret self is not about thought.  Its about feeling.  Its about those nebulous, moveable, visceral emotions that keep one going.

Still standing after being beaten up by life?  You’re a fighter, a super hero, a vigilante for the good guys, a dragon, a freedom fighter, a symbol of hope, heck you could be a piece of delicious warm bread – rising after being beaten down and coming back to give comfort and nourishment.

So who or what is my secret self?

A flamenco dancer? Mind scientist? World explorer? Jedi Warrior? Naughty Nanny? A Lion? Dragon or dragon slayer? Vampire? Brick Layer?

Oh, hell I don’t know.

Perhaps that is my secret self – I am a Janus, a Zaphod, Lon Chaney, Sr.  I wear many hats, looking forward and back, juggling the possibilities of what will be, what is, what was and remolding everyday never quite settling on any one thing.

Cop out? Maybe.

Would you be able to accept Mr. Nimoy’s invitation?  Could you settle on one representation caught in time?

Let me know.  Who or what is your secret self?

http://lonewolffx.com/

Splat’s website